Eye Drops and Lubricants Market Expected to Reach USD 12028 Million by 2035

Sep 16, 2026

The global Eye Drops and Lubricants Market is valued at approximately USD 10,629.15 million in 2026 and is projected to reach USD 10,775.83 million in 2027. The market is expected to grow to USD 12,028 million by 2035, registering a CAGR of 1.38%.

Pune, Maharashtra, India, September 16, 2026 /MarketersMEDIA/ -- 360 Research Reports projects that the Eye Drops and Lubricants market is estimated at USD 10629.15 million in 2026, increasing to USD 10775.83 million in 2027 and forecasted to hit USD 12028 million by 2035, exhibiting a CAGR of 1.38%. Market growth is supported by the expanding burden of dry eye disease, prolonged digital-device exposure, aging populations, contact-lens use, ocular irritation, and increasing demand for preservative-free and condition-specific eye-care products.

For detailed segmentation, regional breakdowns, and competitive analysis, visit: https://www.360researchreports.com/market-reports/eye-drops-and-lubricants-market-206005

Why Eye Drops and Lubricants Are Becoming Essential for Modern Eye Care

Digital-device usage, aging populations, contact-lens adoption, and increasing awareness of ocular health are changing how consumers manage eye discomfort.

Eye drops and lubricants provide convenient support for dryness, irritation, tear-film instability, contact-lens discomfort, and other ocular-surface symptoms. Artificial tears remain the largest product category, while preservative-free formulations are gaining attention among consumers requiring frequent application.

Approximately 20% of adults globally experience dry eye symptoms, while adults aged 50 years and older account for approximately 38% of regular lubricant use. Preservative-free formats represent nearly 44% of newly introduced lubricant products, highlighting the industry's shift toward improved tolerability and long-term use.

Digital Eye Strain Is Creating a Recurring Demand Base

Longer exposure to smartphones, computers, tablets, and other digital displays is increasing demand for everyday lubrication products.

Approximately 62% of office-based adults report symptoms associated with prolonged digital viewing, while around 29% of contact-lens users regularly apply lubricating drops. Extended screen exposure can reduce blinking frequency and contribute to tear-film instability, dryness, irritation, and blurred vision.

Around 64% of working-age adults use digital devices for more than six hours daily, while approximately 43% of consumers experiencing screen-related symptoms use eye drops several times per week. This is supporting a transition from occasional use toward recurring eye-care routines.

Preservative-Free Formulations Are Reshaping Product Development

Preservative-free eye drops are moving from specialist products toward mainstream eye-care solutions.

Approximately 67% of ophthalmic professionals favor preservative-free lubricants for patients requiring frequent daily application. Manufacturers are responding with filtered multidose bottles, single-dose vials, unidirectional valves, and sterile dispensing systems designed to reduce contamination risks.

Lipid-enhanced artificial tears are also gaining attention because evaporative dry eye represents nearly 80% of diagnosed dry eye cases. Gel drops and higher-viscosity lubricants are expanding within nighttime and severe-symptom routines, while lighter formulations continue to support daytime use.

Artificial Tears Lead the Product Landscape

Artificial tears account for the largest product share at 58%, supported by broad usage across diagnosed dry eye, digital eye strain, aging-related tear deficiency, environmental exposure, and contact-lens discomfort.

Antibiotics represent 19%, Hormone products account for 8%, and Others contribute 15%. Artificial tears also benefit from high levels of non-prescription purchasing, with approximately 61% of users purchasing these products without a new prescription.

North America Leads the Global Market

North America holds a 36% market share, supported by established ophthalmology services, extensive retail distribution, high digital-device exposure, and strong awareness of dry eye management.

Europe accounts for 27%, while Asia-Pacific represents 28%. Middle East and Africa contribute 6%, and REST OF WORLD accounts for 3%.

The United States represents nearly 86% of North American demand, while China, Japan, India, South Korea, and Australia collectively represent nearly 78% of Asia-Pacific demand.

Leading Eye Drops and Lubricants Companies

The competitive landscape includes Abbott, Clear Eyes, ALCON, Allergan, SIMILASAN, Rohto, TheraTears, Sager Pharma, Bausch + Lomb, and Johnson & Johnson Services, Inc.

ALCON and Bausch + Lomb Maintain Strong Market Positions

ALCON holds an estimated 17% market share, supported by its artificial-tear portfolio, clinical relationships, preservative-free multidose technologies, lipid-supporting formulations, and global distribution.

Bausch + Lomb accounts for approximately 15% market share, supported by its broad portfolio of lubricating drops, contact-lens rewetting products, prescription ophthalmic treatments, and other eye-health products.

Investment and Product Development Opportunities

Investment is increasingly focused on preservative-free formulations, sterile dispensing technologies, longer-lasting hydration, and tear-film stabilization.

Approximately 43% of product-development programs prioritize multidose preservative-free packaging, while 32% focus on tear-film stabilization through hyaluronic acid, lipids, electrolytes, and moisture-retaining polymers.

Asia-Pacific also provides significant expansion potential, accounting for 28% of current demand while representing more than 55% of the global population.

Recent Market Developments

Key developments during 2025–2026 include Clear Eyes and Rohto recalls related to sterility assurance, Bausch + Lomb's introduction of two preservative-free Blink products, ALCON's approval of TRYPTYR 0.003%, and the launch of SYSTANE PRO Preservative-Free.

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MILAN (AP) — Staging future Winter Games as early as January and the Paralympic Winter Games in February is a possibility because of the effects of warmer temperatures, the International Olympic Committee said Wednesday, Feb. 4. Every Winter Games medal was won in February since the 1964 Innsbruck Olympics opened Jan. 29, and moving to January would likely disrupt scheduling of storied World Cup races and events. It also would more directly clash with NFL and NBA schedules. The IOC is now reviewing Olympic Games issues in the first year of Kirsty Coventry’s presidency and changing the winter edition dates is an option. “Maybe we are also discussing to bring the Winter Olympics a little bit earlier,” the IOC member overseeing the sports program review, Karl Stoss, told reporters. “To do it in January because it has an implication for the Paralympics as well.” The Milan Cortina Paralympic Winter Games will be held March 6-15. The IOC has long acknowledged under Coventry\'s predecessor Thomas Bach that changing climate is a challenge for finding future hosts and organizing competitions. “(March) is very late because the sun is strong enough to melt the snow,” said Stoss, whose home country Austria is a traditional power in Alpine skiing and ski jumping. “Maybe the Paralympics will be in February and the other edition will be in January. That would also be a part of our discussion,” he said on the sidelines of the IOC’s eve-of-Olympics meeting in Milan. The 100-plus IOC members met later Wednesday for another round of talks in the review program Coventry called “Fit For The Future.” Coventry said at a news conference “there are potentially going to be needs for us to look at adjustments of times,” to schedule future Olympic and Paralympic Winter Games. "That might be a way if we bumped things forward.” IOC members are set to meet again in June to decide on the Olympic reviews, and whether to add new sports and events to the 2030 French Alps Winter Games. The French Alps edition is currently expected to run Feb. 1-17 and the 2034 Utah Winter Games from Feb. 10–26.

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Feb 5, 2026

Brazil scraps EV tariff break for China carmaker BYD amid pressure from rivals

Brazil has ended a temporary tariff exemption that allowed electric and hybrid vehicles assembled using imported parts from China to enter the country at sharply reduced costs, closing a measure that fuelled months of confrontation between the government, Chinese carmaker BYD and Brazil’s established automotive industry. The exemption expired on January 31 and was not renewed, the South China Morning Post confirmed with multiple sources on Wednesday. Companies like BYD and Great Wall Motors will...

Véronique Nichanian’s swan song for Hermès

Feb 5, 2026

Véronique Nichanian’s swan song for Hermès

How does one part ways without a sense of sadness? Add to that years of artistry, friendship, and legacy, and saying goodbye without somberness could seem impossible. But that’s not the case for Véronique Nichanian, who, after 37 years as the artistic director of Hermès menswear, has stepped down from her post, ending what will be one of the longest and most influential tenures in the fashion industry. **media[76932]** It was in 1988 when Véronique became part of the historic French maison. In a time when creative directors shift as quickly as the newest trend cycle, the French designer made a lasting impression by focusing on refined craftsmanship, subtle detail, and timeless elegance. Her work over the years has been the ultimate testament to her design philosophy: clothes are “made for today and forever,” ignoring spectacle and instead focusing on how a garment works in real life. “I would like more people to realize that we’re doing not only clothes, but clothes that last a long time,” she told Forbes. “I know exactly where I want to go, and I try to make things more interesting for men each season, proposing a mix of fabrics to them, bringing them new materials.” **carousel[76935,76936,76937]** That philosophy continued in her final collection for Hermès. Showcased at the Palais Brongniart in France on Jan. 24, 2026, the house’s fall-winter 2026 menswear collection spotlighted classic silhouettes, from silk turtlenecks paired with leather trousers to retro-aviator looks that paid homage to “The Little Prince” writer Antoine de Saint-Exupéry. But Véronique never shied away from elevating her designs. Her color and texture choices, such as pops of pink-grapefruit color, glossy crocodile leather, patchwork details, and blurred florals, offered subtle yet notable design elements. These mirrored how men dress today: confident but understated, expressive without excess, and grounded in individuality rather than trend-driven display. **carousel[76933,76939,76934]** Deserving of a second look were the bags the models carried. Boxy overnight bags appeared in shades of sky blue, olive, and brown. But what truly stole the spotlight was the boombox bag, complete with a cassette wallet. Archival pieces also made it to Véronique’s final collection: a pinstriped leather suit from 2003 and a calfskin jumpsuit from 1991 returned to the runway. **media[76940]** By the end of the show, the maison celebrated Véronique’s legacy by playing clips of her bowing and receiving applause after past seasons’ shows. In an interview with WWD, she expressed her gratitude to Hermès for giving her the freedom to design pieces that are best for the Hermès man. “There is no nostalgia. I’m happy, I’m proud of myself,” Véronique said. “I work very hard and with passion. I made the style of the Hermès man, with simple lines, and I’m honest with myself. I’m straight to the point, and I never change my mind.”

Véronique Nichanian’s swan song for Hermès

Feb 5, 2026

Véronique Nichanian’s swan song for Hermès

How does one part ways without a sense of sadness? Add to that years of artistry, friendship, and legacy, and saying goodbye without somberness could seem impossible. But that’s not the case for Véronique Nichanian, who, after 37 years as the artistic director of Hermès menswear, has stepped down from her post, ending what will be one of the longest and most influential tenures in the fashion industry. **media[76932]** It was in 1988 when Véronique became part of the historic French maison. In a time when creative directors shift as quickly as the newest trend cycle, the French designer made a lasting impression by focusing on refined craftsmanship, subtle detail, and timeless elegance. Her work over the years has been the ultimate testament to her design philosophy: clothes are “made for today and forever,” ignoring spectacle and instead focusing on how a garment works in real life. “I would like more people to realize that we’re doing not only clothes, but clothes that last a long time,” she told Forbes. “I know exactly where I want to go, and I try to make things more interesting for men each season, proposing a mix of fabrics to them, bringing them new materials.” **carousel[76935,76936,76937]** That philosophy continued in her final collection for Hermès. Showcased at the Palais Brongniart in France on Jan. 24, 2026, the house’s fall-winter 2026 menswear collection spotlighted classic silhouettes, from silk turtlenecks paired with leather trousers to retro-aviator looks that paid homage to “The Little Prince” writer Antoine de Saint-Exupéry. But Véronique never shied away from elevating her designs. Her color and texture choices, such as pops of pink-grapefruit color, glossy crocodile leather, patchwork details, and blurred florals, offered subtle yet notable design elements. These mirrored how men dress today: confident but understated, expressive without excess, and grounded in individuality rather than trend-driven display. **carousel[76933,76939,76934]** Deserving of a second look were the bags the models carried. Boxy overnight bags appeared in shades of sky blue, olive, and brown. But what truly stole the spotlight was the boombox bag, complete with a cassette wallet. Archival pieces also made it to Véronique’s final collection: a pinstriped leather suit from 2003 and a calfskin jumpsuit from 1991 returned to the runway. **media[76940]** By the end of the show, the maison celebrated Véronique’s legacy by playing clips of her bowing and receiving applause after past seasons’ shows. In an interview with WWD, she expressed her gratitude to Hermès for giving her the freedom to design pieces that are best for the Hermès man. “There is no nostalgia. I’m happy, I’m proud of myself,” Véronique said. “I work very hard and with passion. I made the style of the Hermès man, with simple lines, and I’m honest with myself. I’m straight to the point, and I never change my mind.”

Savannah Guthrie posts message to her mother’s kidnapper asking to provide proof she is alive

Feb 5, 2026

Savannah Guthrie posts message to her mother’s kidnapper asking to provide proof she is alive

Guthrie said in a recorded video posted on social media that her family has heard media reports about a ransom letter for Nancy Guthrie.

Rappler columnist receives NBDB grant for book on womanhood, faith, sexuality

Feb 5, 2026

Rappler columnist receives NBDB grant for book on womanhood, faith, sexuality

The book project, 'The Other Mary: Womanhood, Faith, Sexuality. Survival,' is a collection of narrative nonfiction portraits drawn from the body of investigative work by 'Sex and Sensibility' columnist Ana Santos

Palace: No talks on replacing Frasco

Feb 5, 2026

Palace: No talks on replacing Frasco

There is no talks on replacing Tourism Secretary Christina Frasco amid criticisms against her as she was accused of using government-funded tourism programs for alleged "self-promotion."

Impeachment raps vs Sara Duterte yet to be referred to Speaker's office --Dy

Feb 5, 2026

Impeachment raps vs Sara Duterte yet to be referred to Speaker's office --Dy

House Speaker Faustino Dy III said Thursday Secretary General Cheloy Garafil has not yet referred any impeachment complaint against Vice President Sara Duterte to his office.

SMX Convention Center redefines venue spaces as the canvas for Alice Saves Wonderland

Feb 5, 2026

SMX Convention Center redefines venue spaces as the canvas for Alice Saves Wonderland

SMX Convention Center Aura plays a vital role in enabling the immersive magic experience “Alice Saves Wonderland” to come alive in Manila. International creative technology leaders SparksLab Technology and FrameMotion Studio bring “Alice Saves Wonderland” to the Philippines, unveiling a spellbinding interaction that transforms storytelling into something audiences don’t just watch—but fully enter. Through its adaptable spaces, robust technical infrastructure, and experienced on-ground team, SMX Convention Center Aura enables the seamless integration of advanced technologies, including projection mapping, motion sensors, spatial audio, artificial intelligence, and interactive 3D environments. **media[76925]** More than a venue, SMX becomes the canvas—shifting, responding, and transforming to support storytelling at scale. The collaboration illustrates how immersive creators and purpose-built event spaces can work together to redefine what exhibitions and live experiences can be. “This partnership reflects where the future of events is headed,” shared Walid Wafik, SM Hotels and Conventions Corporation’s (SMHCC) senior vice president for Operations. “When content, technology, and venue design align, experiences move beyond being hosted—they are truly lived.” **media[76923]** Fresh from acclaimed international runs in Malaysia and Taiwan, “Alice Saves Wonderland” arrives in Manila as its third global stop, chosen for the city’s vibrant creative energy and growing reputation as a destination for next-generation experiences in Asia. For this milestone staging, SparksLab and FrameMotion selected SMX Convention Center Aura as their preferred venue and events partner, transforming the space into an interactive Wonderland built for discovery, wonder, and meaning. “Each global stop adds a new layer to the story,” shared the SparksLab team. “For Manila, we wanted a venue that could support the technical depth of the experience while allowing audiences to feel fully immersed from the moment they step inside. SMX Convention Center Aura gave us the freedom and flexibility to bring Wonderland to life.” **media[76924]** As SMX Convention Center continues its nationwide expansion—with upcoming venues in Cebu, Cabanatuan, Sta. Rosa (Laguna), Sto. Tomas (Batangas), and Pasay—the collaboration reinforces its role in supporting the next evolution of exhibitions, brand activations, and experiential events across the country. “Alice Saves Wonderland” runs until March 20, 2026 at SMX Convention Center Aura, Meeting Rooms 2 to 8, located on the third and fourth levels of SM Aura Premier, Taguig City.

SMX Convention Center redefines venue spaces as the canvas for Alice Saves Wonderland

Feb 5, 2026

SMX Convention Center redefines venue spaces as the canvas for Alice Saves Wonderland

SMX Convention Center Aura plays a vital role in enabling the immersive magic experience “Alice Saves Wonderland” to come alive in Manila. International creative technology leaders SparksLab Technology and FrameMotion Studio bring “Alice Saves Wonderland” to the Philippines, unveiling a spellbinding interaction that transforms storytelling into something audiences don’t just watch—but fully enter. Through its adaptable spaces, robust technical infrastructure, and experienced on-ground team, SMX Convention Center Aura enables the seamless integration of advanced technologies, including projection mapping, motion sensors, spatial audio, artificial intelligence, and interactive 3D environments. **media[76925]** More than a venue, SMX becomes the canvas—shifting, responding, and transforming to support storytelling at scale. The collaboration illustrates how immersive creators and purpose-built event spaces can work together to redefine what exhibitions and live experiences can be. “This partnership reflects where the future of events is headed,” shared Walid Wafik, SM Hotels and Conventions Corporation’s (SMHCC) senior vice president for Operations. “When content, technology, and venue design align, experiences move beyond being hosted—they are truly lived.” **media[76923]** Fresh from acclaimed international runs in Malaysia and Taiwan, “Alice Saves Wonderland” arrives in Manila as its third global stop, chosen for the city’s vibrant creative energy and growing reputation as a destination for next-generation experiences in Asia. For this milestone staging, SparksLab and FrameMotion selected SMX Convention Center Aura as their preferred venue and events partner, transforming the space into an interactive Wonderland built for discovery, wonder, and meaning. “Each global stop adds a new layer to the story,” shared the SparksLab team. “For Manila, we wanted a venue that could support the technical depth of the experience while allowing audiences to feel fully immersed from the moment they step inside. SMX Convention Center Aura gave us the freedom and flexibility to bring Wonderland to life.” **media[76924]** As SMX Convention Center continues its nationwide expansion—with upcoming venues in Cebu, Cabanatuan, Sta. Rosa (Laguna), Sto. Tomas (Batangas), and Pasay—the collaboration reinforces its role in supporting the next evolution of exhibitions, brand activations, and experiential events across the country. “Alice Saves Wonderland” runs until March 20, 2026 at SMX Convention Center Aura, Meeting Rooms 2 to 8, located on the third and fourth levels of SM Aura Premier, Taguig City.

MGEN Unit expands Handumanan Reforestation in Panay

Feb 5, 2026

MGEN Unit expands Handumanan Reforestation in Panay

Meralco PowerGen Corporation (MGEN), through its thermal subsidiary Panay Energy Development Corporation (PEDC), formalized its partnership for the Handumanan Reforestation and Carbon Sink Project Phase II, marking the continuation of its long-running reforestation efforts in Lambunao, Iloilo. Handumanan Phase II forms part of MGEN’s contribution to One Meralco’s One for Trees Program – advancing its goal of planting five (5) million trees nationwide by 2030. Through this initiative, MGEN continues to align its environmental programs with broader efforts to restore ecosystems and build climate resilience. Phase II builds on the results of the first phase of Handumanan – which planted more than 522,000 trees across around 150 hectares in Lambunao. Under the new phase, the project will restore 80 additional hectares through the planting of 153,660 endemic, indigenous, and agroforestry trees over the next four (4) years. MGEN has committed Php 10 million to support the implementation and monitoring of the project. In addition to expanding forest cover, the initiative is expected to help address carbon emissions, revive biodiversity, and provide livelihood opportunities for nearby communities. Since 2009, MGEN Thermal Panay has nurtured a thriving green footprint with 845,726 trees and mangroves planted across 256.62 hectares from various projects and initiatives. At the Memorandum of Agreement signing, MGEN Thermal President and CEO Felino M. Bernardo emphasized: “Every tree we plant is a promise—a promise of cleaner air, richer biodiversity, and a healthier planet. Together, we are not just building forests; we are building hope. Powering a better tomorrow starts here, and it starts with us.” Handumanan Phase II embodies MGEN’s mission of Powering a Better Tomorrow—driving meaningful change for communities today and preserving nature for generations to come.

MGEN Unit expands Handumanan Reforestation in Panay

Feb 5, 2026

MGEN Unit expands Handumanan Reforestation in Panay

Meralco PowerGen Corporation (MGEN), through its thermal subsidiary Panay Energy Development Corporation (PEDC), formalized its partnership for the Handumanan Reforestation and Carbon Sink Project Phase II, marking the continuation of its long-running reforestation efforts in Lambunao, Iloilo. Handumanan Phase II forms part of MGEN’s contribution to One Meralco’s One for Trees Program – advancing its goal of planting five (5) million trees nationwide by 2030. Through this initiative, MGEN continues to align its environmental programs with broader efforts to restore ecosystems and build climate resilience. Phase II builds on the results of the first phase of Handumanan – which planted more than 522,000 trees across around 150 hectares in Lambunao. Under the new phase, the project will restore 80 additional hectares through the planting of 153,660 endemic, indigenous, and agroforestry trees over the next four (4) years. MGEN has committed Php 10 million to support the implementation and monitoring of the project. In addition to expanding forest cover, the initiative is expected to help address carbon emissions, revive biodiversity, and provide livelihood opportunities for nearby communities. Since 2009, MGEN Thermal Panay has nurtured a thriving green footprint with 845,726 trees and mangroves planted across 256.62 hectares from various projects and initiatives. At the Memorandum of Agreement signing, MGEN Thermal President and CEO Felino M. Bernardo emphasized: “Every tree we plant is a promise—a promise of cleaner air, richer biodiversity, and a healthier planet. Together, we are not just building forests; we are building hope. Powering a better tomorrow starts here, and it starts with us.” Handumanan Phase II embodies MGEN’s mission of Powering a Better Tomorrow—driving meaningful change for communities today and preserving nature for generations to come.

Korean stars Ha Jung-woo, Cha Jung-won dating

Feb 5, 2026

Korean stars Ha Jung-woo, Cha Jung-won dating

Korean actor Ha Jung-woo, 47, and actress Cha Jung-won, 36, are dating, their agencies confirmed.  But they denied that they were getting married in July. A Korean media outlet earlier reported that the wedding will be held in July in Seoul.  Ha Jung-woo\'s agency, Workhouse Company, told Korean media Osen, "It\'s true that they are dating, but nothing has been confirmed yet. Rumors of a summer or July wedding are also false."  "The actor has often jokingly responded to questions about marriage by saying, \'We should do it this year, we should do it in the summer,\' but this seems to have been misinterpreted," it added.  Saram Entertainment, Cha Jung-won’s agency, confirmed, "It\'s true that actress Cha Jung-won is dating Ha Jung-woo, but the marriage rumors are groundless." Cha Jung-won, born in 1989, debuted in the 2012 film “Horror Stories.” Her dramas include “Lawless Lawyer” and “My Absolute Boyfriend.”  Ha Jung-woo, born in 1978, is the son of Korean actor Kim Yong-gun. His acting credits include “Narco-Saints,” “Lovers in Prague,” “The People Upstairs” and “Along With the Gods: The Two Worlds.”

Korean stars Ha Jung-woo, Cha Jung-won dating

Feb 5, 2026

Korean stars Ha Jung-woo, Cha Jung-won dating

Korean actor Ha Jung-woo, 47, and actress Cha Jung-won, 36, are dating, their agencies confirmed.  But they denied that they were getting married in July. A Korean media outlet earlier reported that the wedding will be held in July in Seoul.  Ha Jung-woo\'s agency, Workhouse Company, told Korean media Osen, "It\'s true that they are dating, but nothing has been confirmed yet. Rumors of a summer or July wedding are also false."  "The actor has often jokingly responded to questions about marriage by saying, \'We should do it this year, we should do it in the summer,\' but this seems to have been misinterpreted," it added.  Saram Entertainment, Cha Jung-won’s agency, confirmed, "It\'s true that actress Cha Jung-won is dating Ha Jung-woo, but the marriage rumors are groundless." Cha Jung-won, born in 1989, debuted in the 2012 film “Horror Stories.” Her dramas include “Lawless Lawyer” and “My Absolute Boyfriend.”  Ha Jung-woo, born in 1978, is the son of Korean actor Kim Yong-gun. His acting credits include “Narco-Saints,” “Lovers in Prague,” “The People Upstairs” and “Along With the Gods: The Two Worlds.”

Mayor Vico acknowledges public support as key to good governance push

Feb 5, 2026

Mayor Vico acknowledges public support as key to good governance push

As Pasig City Mayor Vico Sotto was recognized by the Manila Bulletin as one of the 2026 Newsmakers awardees for his push for good governance, he credited the continued support of Pasigueños for making it possible. **media[76930]** In his acceptance speech delivered through a video message during the Manila Bulletin’s 126th anniversary on Feb. 2, he thanked the Pasigueños for their support and trust, which allow him to continue pushing for good governance. “Of course, I also have to thank my fellow Pasigueños because if not for them, I wouldn\'t be able to do what I do,” Sotto said. “It is because of their support—their continuous support, that I\'m able to fight and continue the fight for good governance, for transparency, participation, and accountability in our government towards more efficient governance and towards a better tomorrow for our fellow Pasigueños,” the mayor continued. He also expressed hope that the recognition will help bring more focus to good governance. “More than the award, more than the recognition, I hope that this will continue to bring the spotlight into the fight—the continuous fight for good governance.’ Sotto also thanked the Manila Bulletin for recognizing him as one of this year’s Newsmakers awardees. Now in its third year, the event honors individuals and institutions that have made significant contributions to society in fields such as entertainment, business, sports, arts and culture, corporate leadership, and public service.

Mayor Vico acknowledges public support as key to good governance push

Feb 5, 2026

Mayor Vico acknowledges public support as key to good governance push

As Pasig City Mayor Vico Sotto was recognized by the Manila Bulletin as one of the 2026 Newsmakers awardees for his push for good governance, he credited the continued support of Pasigueños for making it possible. **media[76930]** In his acceptance speech delivered through a video message during the Manila Bulletin’s 126th anniversary on Feb. 2, he thanked the Pasigueños for their support and trust, which allow him to continue pushing for good governance. “Of course, I also have to thank my fellow Pasigueños because if not for them, I wouldn\'t be able to do what I do,” Sotto said. “It is because of their support—their continuous support, that I\'m able to fight and continue the fight for good governance, for transparency, participation, and accountability in our government towards more efficient governance and towards a better tomorrow for our fellow Pasigueños,” the mayor continued. He also expressed hope that the recognition will help bring more focus to good governance. “More than the award, more than the recognition, I hope that this will continue to bring the spotlight into the fight—the continuous fight for good governance.’ Sotto also thanked the Manila Bulletin for recognizing him as one of this year’s Newsmakers awardees. Now in its third year, the event honors individuals and institutions that have made significant contributions to society in fields such as entertainment, business, sports, arts and culture, corporate leadership, and public service.

Tracking trash costs: Which Metro Manila cities spent more or less

Feb 5, 2026

Tracking trash costs: Which Metro Manila cities spent more or less

Caloocan, Las Piñas, Mandaluyong, Marikina, Parañaque, Pasig, Valenzuela, Malabon, Taguig, and Muntinlupa report higher expenses

ICC Registry notifies chamber on appointment of victims' lawyers

Feb 5, 2026

ICC Registry notifies chamber on appointment of victims' lawyers

The International Criminal Court (ICC) Registry has notified the Pre-Trial Chamber I on the appointment of legal representatives for the victims in former President Rodrigo Duterte's crimes against humanity case over his war on drugs.

Corrections: February 2026

Feb 5, 2026

Corrections: February 2026

Here are the reports with corrections for February 2026

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